Saturday, February 04, 2017
The Omen (1976)
Given a generous budget by 20th Century Fox and handed major movie stars Gregory Peck (TO KILL A MOCKINGBIRD) and Lee Remick (ANATOMY OF A MURDER), Donner and screenwriter David Seltzer created a genuine horror classic that even the Academy of Motion Picture Arts and Sciences blessed with two Oscar nominations (Jerry Goldsmith won for his iconic score). Likely influenced by — or at least given the green light because of — THE EXORCIST, THE OMEN was the fourth biggest hit of 1976 behind ROCKY, A STAR IS BORN, and ALL THE PRESIDENT’S MEN.
THE OMEN is based on a nifty “what if” — what if your newborn baby was actually the Anti-Christ? That’s what happens to U.S. Ambassador Robert Thorn (Peck in a role Dick Van Dyke turned down!) when his and wife Katherine’s (Remick) son dies shortly after being born. Katherine doesn’t know, so Thorn agrees to secretly adopt a baby whose mother died during childbirth. It isn’t long — about five years — before unusual tragedies begin to occur around the Thorn family, notably little Damien’s nanny hanging herself at his birthday party (one of Donner’s great shocker scenes). Is Damien (Harvey Stephens) the son of Satan? Will Thorn have to destroy his son? Can he?
The director of BRONK and SARAH T.: PORTRAIT OF A TEENAGE ALCOHOLIC seems an unusual choice to make a big-budget horror movie for a major studio, but Donner made the most of the opportunity. The story unfolds as a grim mystery with David Warner (TIME AFTER TIME) turning in good work as a photographer who teams with Thorn to play detective. The murderous setpieces are staged with gruesome good taste, and Goldsmith’s Oscar-winning music establishes a sinister tone early and never lets go. Because THE OMEN keeps the supernatural horror within the realms of believability, its power remains potent decades after its original release. Many sequels, ripoffs, and an unloved 2006 remake followed.