When producer Sam Katzman no longer owned the film rights to King Features’ Jungle Jim character, he just changed the name of the leading character played by Johnny Weissmuller to “Johnny Weissmuller” and kept churning out the movies. It didn’t affect Weissmuller’s performance at all nor probably Columbia’s box office profits. Katzman and serial director Charles S. Gould (THE GREAT ADVENTURES OF CAPTAIN KIDD) shot JUNGLE MOON MEN in a week, and after thirteen Jungle Jim pictures (and one “Johnny Weissmuller”), the template was firmly established.
JUNGLE MOON MEN is as much H. Rider Haggard than it is Alex Raymond. Johnny (Weissmuller) agrees to guide Ellen Marsten (Jean Byron, later the mom on THE PATTY DUKE SHOW), an Egyptologist, deep into the jungle to find a native tribe called the Baku. It just so happens that Nolimo (Michael Granger) approaches Johnny the same day to help him find his son Marro (Ben Chapman, one of the Creatures from the Black Lagoon), who has been kidnapped by the so-called “Moon Men,” who just happen to live in — wait for it — the Baku.
Ellen’s boyfriend Bob Prentice (Bill Henry) joins the expedition, while unscrupulous guide Santo (Myron Healey), whom Johnny hates, tags along behind in an effort to find diamonds he believes the Moon Men have. The Moon Men are pygmies, including Billy Curtis in not one of his most dignified roles (Weissmuller repels the whole tribe simply by lifting the kicking Curtis off the ground), and worship the sun-worshipping Oma (Helen Stanton), who captures the team and demands that Bob marry her and become her high priest.
People loved Johnny Weissmuller, which is the only reason the Jungle Jim series (which JUNGLE MOON MEN should be considered a part of) ran as long as it did. In fact, at the same time he was doing the “Johnny Weissmuller” films, he was also starring as Jungle Jim in a syndicated television series. I doubt the kids were confused. Nor will you be by JUNGLE MOON MEN’s simple story, which weaves elements of SHE into the jungle B-picture template. Performed and produced adequately enough for kiddie matinees, this was Johnny’s next-to-last feature before retiring.
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