Showing posts with label Monkees. Show all posts
Showing posts with label Monkees. Show all posts

Tuesday, November 22, 2016

The Night Of The Strangler

First off, there is no strangling at all in 1972's THE NIGHT OF THE STRANGLER, making this Howco International cheapie one of the all-time worst cheat titles. There’s plenty of killing—by gun, by knife, by snake, by razor—but I guess Houck didn’t think they made for snappy titles (his NIGHT OF BLOODY HORROR gets one’s attention too). Howco also played it as ACE OF SPADES and IS THE FATHER BLACK ENOUGH? in black neighborhoods.

Micky Dolenz, just five years after The Monkees were America’s #1 pop group, must have either spent all his millions in a hurry or wanted desperately to be taken seriously as a dramatic actor to appear in this.

Denise Robert (Susan McCullough) returns to her family home in New Orleans, where she breaks the news to her brothers, racist attorney Dan (James Ralston) and ‘Nam-vet florist Vance (Dolenz), that she’s dropping out of Vassar to marry the father of her unborn child, a black man named Jake.

Dan, furious, smacks her around, and hires a blond hippie hitman to shoot her fiancé in the back. A mysterious black-gloved killer dressed like the Scorpio Killer later drowns a distraught Denise in her bathtub and stages the scene to look like a suicide.

A year later, Dan prepares to marry Vance’s ex-girlfriend, and gets into a fight with Vance, who shows up at the wedding drunk. Jesse (Chuck Patterson), a black priest back in the parish after spending time in New York, befriends Vance and attempts to mend the bitterly divided Robert family. Somehow, I don’t think it’ll take.


NIGHT OF THE STRANGLER is more murders, more race-baiting, more red herrings, and more confusion, as the story wavers across the screen like a drunk driver in a hailstorm. Houck spends too much time following a pair of buddy detectives (one is played by Harold Sylvester, who went on to Hollywood) who ultimately contribute nothing to the plot. I’ll give the movie points for the twist ending, which is amusing and more or less plays fair with the audience.

More of a murder mystery than the horror movie its title and ad campaign indicate, NIGHT OF THE STRANGLER is kind of a mess with its low budget showing in its long master shots and tinny sound. To give it credit, it develops its mystery fairly cleverly through the story points Houck chooses to share — and what not to share. It’s a goofy movie, and it wouldn’t kill you to experience it, though it’s only a must-see for Monkees fans, who get to see Micky curse, fight, and sleep with a topless chick. It did nothing for Dolenz’s career, which progressed to Hanna-Barbera cartoon voices and LINDA LOVELACE FOR PRESIDENT.

Tuesday, September 28, 2010

The Roomies

What would happen if you edited scenes from Tommy Wiseau's stunningly inept film THE ROOM to fit the opening titles and theme song of the 1960s sitcom THE MONKEES?

Monday, June 30, 2008

Monkeemen


Dial B for Blog, one of comic book fandom's greatest blogs, chimes in with a typically thorough examination of those master battlers of evil--the Monkeemen!

Monday, January 21, 2008

Cheer Up, Sleepy Jean

John Stewart, a former member of the Kingston Trio who had a solo hit of his own, "Gold," in 1979, died over the weekend in San Diego. He was 68.

However, the song he wrote that will outlast all of us is "Daydream Believer," which was an enormous smash in 1967 for The Monkees, who took it all the way to #1. It's a great song, even though I don't know what the hell it's all about.

Here is the music video The Monkees produced for the song (not that it was called a music video at the time). This and several other videos were filmed and aired on the group's NBC sitcom, usually as the tag after the main story and before the closing credits.

Thursday, January 10, 2008

It Only Hurts When I Cry

Originally appeared on my old blog April 23, 2006. I'm currently without a home computer for, hopefully, just a few days.

I was listening to a few cuts from this Donna Loren compilation album recently, which got me thinking about why she never became a big star. Donna was a child star of sorts, acting and singing on television while still in grade school. As she grew into a teenager, she signed a recording contract with Capitol and began appearing in small roles in the BEACH PARTY movies cranked out in the 1960's by executive producers Samuel Arkoff and James Nicholson and director William Asher at American International Pictures. Most of the time, Frankie Avalon and Annette Funicello played the leading roles, but Donna, along with several other cuties, could be seen in the background and occasionally got a song of her one to perform. She also did a series of Dr. Pepper commercials, so someone was definitely grooming her for stardom.

What's evident from seeing her on-screen and listening to her music is that she was a very good performer (and cute as a button). I suppose it's hard to judge her acting from the small roles I've seen, including a guest spot as a sheik's daughter infatuated with Davy Jones on THE MONKEES, but she absolutely was a terrific singer. It may not be immediately obvious from titles like "Muscle Bustle" and "Beach Blanket Bingo," but she had a wonderful voice, and she was still just a teenager when she recorded them. I particularly like "It Only Hurts When I Cry," which she performed in the 1965 film BEACH BLANKET BINGO. Not to slight Annette Funicello, who also had a career headstart working for Walt Disney for many years before, but it's clear from watching the film that Loren had star presence that Annette, I don't think, ever did (maybe boys will be boys, but I believe Annette's notoriously prominent bustline had a lot to do with her success).

After a few more TV guest shots and a busted pilot with Aaron Spelling at ABC, Donna Loren retired from show business to get married. Not an unusual move for a budding ingenue, but she was only 21 years old, and it's a pity to think about the wonderful work she didn't allow herself to give to us. Maybe if her stardom had risen more quickly, she would have thought differently about giving it all up. At any rate, if you find yourself coming across BINGO or BIKINI BEACH or PAJAMA PARTY on cable or on DVD, Donna had solo spots in all of them, so stick with them long enough to catch her number. I think you'll be happy you did.