Sorry that my postings have been infrequently lately, but I've been using the waning weeks of summer to chill out a little and take a bit of a blogging break. Don't worry--I don't intend this to be a permanent schedule, and fully plan to get back into a more regular posting habit very soon.
In the meantime, let me humbly thank my online colleague Don Guarisco over at Schlockmania for graciously presenting me with a Zombie Rabbit! I'm not entirely sure of its origin, but I appreciate Don's gesture as the compliment it is intended to be.
The occasion is also a good excuse to link to some other blogs worthy (or more worthy) of a Zombie Rabbit. Please see Don's Schlockmania post for a good number of blogs you should be reading if you're interested in the kinds of entertainment we celebrate here at the Crane Shot. I won't repeat any of the blogs Don has already awarded Zombie Rabbits too, though I do recommend them.
Bruce Holecheck really needs to post more often at Cinema Arcana, but you should have fun playing his weekly game of Name That Movie every Monday.
Congratulations to father-to-be Neil Sarver at The Bleeding Tree, who waxes eloquently on trashy movies and comics and sometimes trashy movies about comics.
Chris Stangl at The Exploding Kinetoscope also needs to post more often, but he makes up for it with long, detailed, intricate articles of interest.
My Twitter pal Emily at The Deadly Doll's House of Horror Nonsense is always good for two or three smart film reviews--with screen caps!--each week.
My longtime colleague at Mobius Home Video Forum and good friend Richard Harland Smith is one of several Movie Morlocks at the Turner Classic Movies website. He recently wrote a great piece on the fine actor and even finer physical specimen Woody Strode in the manliest of man movies, THE PROFESSIONALS.
I don't know who he is or what he does by day, but by night, Outlaw Vern is my favorite film critic on the planet. He's unquestionably the funniest, but underneath the gags and distinct writing style is a real love of film and knowledge to match.
Finally, Wrong Side of the Art is an amazing collection of high-definition movie posters from years past. I love to see what this blog lays on me day after day. Some of them are definitely not safe for work, however, so wait to experience these cool one-sheets until you get home.
There are dozens more that I could share that would be as deserving of a Zombie Rabbit as the blogs I've mentioned above, and if I have neglected you, I apologize. Thanks again, Don!
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2 comments:
Before you take your break -- please be sure to post your thoughts on "Machete." I'm debating if I want to see it myself...I think Rodriguez and Tarantino pretty much failed with "Grindhouse" (mostly because it was set in the present rather than in the '70s), but still...it seems like he might've captured some sort of lurid, exploitative grindhouse charm here.
For what it's worth, and I would also be really interested in Marty's thoughts.
I love Grindhouse, although I think neither work as well as their own movie. I'm not sure if setting Grindhouse in period would have helped. I see the logic.
I think Machete is fantastic! It also works fine for not being period. Aside from the opening sequence, it's not done as a lost "grindhouse" movie at all, just whatever it is, which is a blast.
But I came here to say thanks to Marty for the award. I really appreciate it.
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