That’s how big an impact THE X-FILES had on audiences during its prime. In terms of ratings, longevity, and critical acclaim, it may well be the most successful science fiction series in network history, so 20th Century Fox was eager for creator Chris Carter to deliver a big-budget adventure with more scale, more special effects, and major guest stars.
Shot between the series’ fourth and fifth seasons, THE X-FILES was intended by Carter, co-writer Frank Spotnitz, and director Rob Bowman (all series veterans) to appeal to both rabid fans and those who had never seen the show. David Duchovny (CALIFORNICATION) is Fox Mulder, one of two FBI agents assigned to investigate cases involving the paranormal. As a boy, he witnessed his sister’s abduction by aliens and has devoted his life to learning the truth about extraterrestrials and the U.S. government’s attempt to cover up their existence. Gillian Anderson (HANNIBAL) is his partner, Dana Scully, a medical doctor whose original assignment was to debunk X-File cases, but learned through experience to accept Mulder’s far-out theories.
Released a few weeks after the fifth season finale, THE X-FILES picked up where that episode left off with Mulder and Scully removed from X-Files duty and assigned to terrorist detail in Dallas, Texas. The bombing of an office building and some nudging from paranoid OB-GYN Alvin Kurtzweil (Martin Landau) lead the agents to yet another sinister government plot involving aliens, an underground cave in north Texas, killer bees (!), and a deadly virus that could destroy all life on Earth. Basically, another Thursday for Mulder and Scully.
Bigger doesn’t always mean better, but THE X-FILES is just about as good as the best series episodes, adding visual style, location shooting, large-scale action scenes, and gooey makeup effects that couldn’t be created on a television budget. Anderson and Duchovny had fallen into a smart, sexy rhythm by this point, and the film’s extra running time lets the relationship between Mulder and Scully breathe a bit. The script is intelligent, complex, and suspenseful. The extra money also allowed composer Mark Snow an eighty-piece orchestra, which turned in a mature score to match the film’s epic nature.
1 comment:
Technically, The Transformers would qualify as one of those times when a big-screen movie came out during the run of the TV series.
The Transformers ran from 1984 to 1989, and The Transformers: The Movie came out in 1986, between seasons two and three. It had all the series regulars in the cast plus some celebrity guests.
It fit into the series continuity so that the third season picked up after the events of the movie (much to some fans’ chagrin).
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