Sunday, January 12, 2025

The Prince

Jason Patric (RUSH) is The Prince in this dreary direct-to-video crime meller courtesy of dreary direct-to-video director Brian A. Miller (VICE). At least The Prince is what mechanic Patric (with remarkably clean hands) used to be called in the old days when he was a professional assassin.

Now retired with daughter Gia Mantegna (THE FROZEN GROUND) away at college, Patric is pulled back into his old life John Wick-style when his junkie daughter leaves college to hook up with New Orleans drug kingpin 50 Cent (ESCAPE PLAN). While bashing his way through the underworld in search of Mantegna, Patric gains the attention of Bruce Willis (DIE HARD), a big-time mobster still seething from the deaths of his wife and child by Patric’s hand twenty years earlier, the result of a hit gone awry that led Patric to retire.

The plot by SAN ANDREAS writers Andre Fabrizio and Jeremy Passmore is ridiculous. For some reason, Patric drags along his daughter’s cokehead friend Jessica Lowndes (90210) to New Orleans so she can “point out” where to find a drug dealer, but all she had to do was tell him the name of a bar. Willis tells his goons to bring him The Prince alive, yet their strategy is to immediately shoot at him. But the biggest flaw is that Willis’ character doesn’t seem like a heavy. After all, he’s just looking to enact revenge against the hitman who murdered his wife and daughter, which would make him the hero in almost any other movie.

Miller has no idea how to shoot an action sequence. It’s pretty easy for Patric to shoot down a dozen bad guys when they stand right out in the open or run straight at a concealed target. John Cusack (THE SURE THING), of all people, shows up for a few scenes backing up his old pal Patric, “Jung Ji-Hoon aka Rain” (which is how he’s billed) does some kung fu, Johnathon Schaech (THE THING YOU DO) cameos in a gun shop, and the palpably disinterested Willis, who makes no effort to change his appearance in scenes set twenty years apart, never left his Mobile hotel (better tax breaks in Alabama than Louisiana) to shoot his scenes.

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