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Besides Shatner and West, ALEXANDER THE GREAT is awash in top-of-the-line talent. The cast also includes John Cassevetes, Joseph Cotten, Simon Oakland, John Doucette, Ziva Rodann and Cliff Osmond. Phil Karlson (KANSAS CITY CONFIDENTIAL) directed a teleplay by Robert Pirosh (HELL IS FOR HEROES). Selig J. Seligman (COMBAT) was the producer, and Leonard Rosenman (BARRY LYNDON) provided a marvelously epic-sounding score.
Looking back, how the heck did this series fail? There never has been a successful network drama series set in this time period, but indications are that ALEXANDER THE GREAT would probably have played out like a western anyway. Handsome men on horseback riding across the desert, but using swords instead of six-guns. ABC commissioned it, but didn't air it until 1968, when the network and producers at MGM were looking for material to fit in with OFF TO SEE THE WIZARD, a prime-time anthology series aimed at children. ALEXANDER THE GREAT is an adult show, but I suppose ABC thought it was a history lesson or something. Of course, by then, Shatner and West were both big TV stars, and it's likely the ratings for the telecast were pretty good.
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I'm no historian, but I suspect ALEXANDER THE GREAT wouldn't hold up under much scrutiny. Certainly the language and dialects were different. However, this pilot is a real find. You'll find many reviewers who snub it off, merely because of the shallow perception that Shatner and West are "bad" actors or because it stars macho guys running around in very short skirts. The script is not very complicated and its mystery subplot will take you about 40 seconds to figure out. It ain't SPARTACUS, but it's still an interesting show and one of mild historical significance, even if only for the talented filmmakers involved.
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