Saturday, February 18, 2017
Untamed Youth/Born Reckless
To be fair, Van Doren may have been minimally talented, but what she did, she did extremely well, and it’s difficult to pull your eyes away from her. So pity poor Lori Nelson (DAY THE WORLD ENDED), who acquits herself just fine in UNTAMED YOUTH, but unfortunately barely registers standing next to the bullet-braed Van Doren. The two blondes play sisters who are busted by corrupt sheriff Robert Foulk (who played a nicer sheriff on LASSIE) on hitchhiking charges and sentenced by judge Lurene Tuttle (TV’s JULIA) to thirty days slave labor on a cotton plantation owned by LAWMAN’s John Russell (who turned up years later in Clint Eastwood’s PALE RIDER).
What we have is cinema’s first women-in-prison musical, as Van Doren or Eddie Cochran (“Summertime Blues”) as a prisoner named Bong bursts into family-friendly rock tunes on a moment’s notice. Even after a long, hard day picking cotton under a sweltering sun, these beatniks still have the energy after work to turn their dorm into a swinging dance party. Writer John C. Higgins (BORDER INCIDENT) does his best to make all this nonsense, including the revelation of Russell’s secret marriage to the much-older Tuttle, play as if it could actually happen, and fans of 1950s bombshells will also enjoy Yvonne Lime (I WAS A TEENAGE WEREWOLF) and nudie model Jeanne Carmen (THE MONSTER OF PIEDRAS BLANCAS) in the cast.
Richard Landau’s repetitive horse-and-bull story follows saloon crooner Van Doren (with tight shirts and a cowboy hat perched precariously upon her peroxide hairdo) and cowboys Richards (who went from this to his own television series, JEFFERSON DRUM) and Arthur Hunnicutt (THE BIG SKY) from county to county competing in local rodeos. Like a living Bill Ward drawing, Van Doren draws catcalls just stepping into a room, which inevitably leads to some masher molesting her, Richards getting beaten up defending her honor, and Hunnicutt missing another steak dinner to retrieve the truck for a fast getaway.
Aside from the usually entertaining Hunnicutt, Koch’s film offers little of note. The drama isn’t interesting, the rodeo action is mostly stock footage, and the strident comic relief is over-scored by Buddy Bregman. Carol Ohmart (SPIDER BABY) shows up as Mamie’s competitor for the stiff Richards, but she doesn’t seem like the villain the film depicts her as. After BORN RECKLESS, Van Doren stopped working for Koch (for whom she made three pictures) and moved on to directors Edward L. Cahn and Albert Zugsmith to varying success.