Tuesday, February 21, 2017
Piers Haggard (THE FIENDISH PLOT OF DR. FU MANCHU) was a rapid replacement for Hooper, but to his credit, none of VENOM’s backstage shenanigans show up on the screen. It’s a neat little thriller with a unsettling premise that should affect you whether you’re afraid of garter snakes or let your pet python crawl freely around your home. Kinski leads a band of kidnappers after the asthmatic grandson of wealthy hunter Hayden. Kinski’s conspirators include family chauffeur Reed and the boy’s nanny Susan George (MANDINGO), Kinski’s lover who uses her wiles to keep muscle-headed Reed toeing the line.
It goes to show no matter how intricate your plan, you can’t think of everything. Such as a black mamba, the world’s most vicious and poisonous snake, getting loose in the house. Hey, it could happen. With Williamson’s laconic police inspector and his men surrounding the house, the kidnappers, Hayden, snake expert Sarah Miles (RYAN’S DAUGHTER), and the boy are trapped inside with a killer that could literally be almost anywhere — inside the air vents, behind a curtain, hiding in a dark corner. Yikes.
For a last-minute director pulled from the ranks of British television, Haggard does a remarkable job keeping the suspense high and your rear end on the edge of your seat. VENOM is a very good thriller, thanks to its wily direction, stellar cast, and creepy cinematography by Gilbert Taylor (STAR WARS), who keeps the camera close to accentuate the claustrophobia that enhances the characters’ fear.